The films of Mary Harron.
Offers the first first book-length study of Mary Harron's career and works.
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| Format: | Licensed eBooks |
| Language: | English |
| Published: |
Edinburgh :
Edinburgh University Press,
2021.
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| Series: | ReFocus: the American Directors Ser.
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| Online Access: | https://www.jstor.org/stable/10.3366/j.ctv287s9xg |
Table of Contents:
- Frontmatter
- Contents
- List of Figures
- Acknowledgments
- Notes on Contributors
- Introduction
- Part I Biopics
- 1 I Shot Andy Warhol: Fame, Notoriety, and Mary Harron's Anti-biopics
- 2 On the Other Side of the Icon: Making Images and Restaging Celebrity Spectacle in Anna Nicole
- Part II Feature Films and Production Contexts
- 3 Dream of the '90s: Mary Harron in Indiewood
- 4 "I Like to Dissect Girls": Mary Harron's American Psycho as Gendered Metafiction
- 5 "And Then I Met Lucy": Perfection, Same-sex Desire, and Social Control in Mary Harron's The Moth Diaries
- 6 Charismatic Breadwinner Killer: Gender Power Relations in Charlie Says
- Part III Television and Short Film Production
- 7 Death to Disposal: Echoes of American Psycho in "The Rainbow of Her Reasons" (Six Feet Under)
- 8 Sartorial Interventions: When Fashion and Film Collide
- Filmography
- Bibliography
- Index