The culture of the sound image in prewar Japan /
This collection of essays explores the development of electronic sound recording in Japanese cinema, radio, and popular music to illuminate the interrelationship of aesthetics, technology, and cultural modernity in prewar Japan. Putting the cinema at the center of a "culture of the sound image&...
| Այլ հեղինակներ: | , |
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| Ձևաչափ: | Licensed eBooks |
| Լեզու: | անգլերեն |
| Հրապարակվել է: |
Amsterdam :
Amsterdam University Press,
[2020]
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| Առցանց հասանելիություն: | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2667987 |
| Ամփոփում: | This collection of essays explores the development of electronic sound recording in Japanese cinema, radio, and popular music to illuminate the interrelationship of aesthetics, technology, and cultural modernity in prewar Japan. Putting the cinema at the center of a "culture of the sound image", it restores complexity to a media transition that is often described simply as slow and reluctant. In that vibrant sound culture, the talkie was introduced on the radio before it could be heard in the cinema, and pop music adaptations substituted for musicals even as cinema musicians and live narrators resisted the introduction of recorded sound. Taken together, the essays show that the development of sound technology shaped the economic structure of the film industry and its labour practices, the intermedial relation between cinema, radio, and popular music, as well as the architecture of cinemas and the visual style of individual Japanese films and filmmakers. |
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| Ֆիզիկական նկարագրություն: | 1 online resource (227 pages) : illustrations |
| Մատենագիտություն: | Includes bibliographical references and index. |
| ISBN: | 9789048525669 9048525667 9789089647733 9089647732 |