Edgar Wind and modern art : in defence of marginal anarchy /
"This book presents the first comprehensive study of the philosopher and art historian Edgar Wind's critique of modern art. The first student of Erwin Panofsky, and a close associate of Aby Warburg, Edgar Wind was unusual among the 'Warburgians' for his sustained interest in mode...
| Autor principal: | |
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| Formato: | Licensed eBooks |
| Lenguaje: | inglés |
| Publicado: |
London, UK ; New York, NY :
Bloomsbury Visual Arts,
2020.
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| Acceso en línea: | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2689351 |
Tabla de Contenidos:
- List of Illustrations Preface and Acknowledgements
- 1. In Defence of Marginal Anarchy Edgar Wind (1900-1971)
- 2. Art and Anarchy The Polarity of the Symbol Holy Fear Experiment and Metaphysics
- 3. The Tradition of Symbols in Modern Art The Heritage of Baudelaire History of the Monster Picasso and the Atavism of the Mask Religious and Scientific Fallacies ? 'Our Present Discontents'
- 4. 'Cher Magus' ? Pavel Tchelitchew Cathedrals of Art 'You really are a magician?' The Feast of the Gods Monstrous Phenomena Method and Microcosm in Leonardo da Vinci Tchelitchew and Leonardo
- 5. 'The Muses' sterner laws' ? W
- . H
- . Auden and Ben Shahn The Irresponsibles The Critical Nature of a Work of Art Masterpieces of the Twentieth Century Klee and Candide Seven Moral Paintings Art and Morals The Truest Poetry is the Most Feigning The Shape of Content
- 6. 'Certain Forms of Association Neglected Before'
- R
- . B
- . Kitaj The Fallacy of Pure Art The Book as Symbol Rosa Luxemburg as Pathosformel Warburg as Maenad ? the reconciliation of opposites If Not, Not Conclusion Select Bibliography Index