The voice over : poems and essays /

"Maria Stepanova is one of the most powerful and distinctive voices of Russia's first post-Soviet literary generation. An award-winning poet and prose writer, she has also founded a major platform for independent journalism. Her verse blends formal mastery with a keen ear for the evolution...

Полное описание

Библиографические подробности
Главный автор: Stepanova, Marii͡a (Автор)
Другие авторы: Shevelenko, Irina (Редактор)
Формат: Licensed eBooks
Язык:английский
русский
Опубликовано: New York : Columbia University Press, [2021]
Серии:Russian library (Columbia University. Press)
Online-ссылка:https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2458721
Оглавление:
  • Part I. The here-world. from On twins. A Gypski, a Polsk, a Jewski, a Russki
  • The north of sleep. Head's in a pillow cradle
  • from The here-world. Adieu, until one branched floor higher
  • Ahoy! Beyond the azure's tempest
  • For you, but the voice of the straitened muse
  • from Songs of the northern southerners. The bride
  • The pilot
  • from Happiness. The morning sun arises in the morning
  • As Danaë, prone in the incarce-chamber
  • It is certainly time to stop
  • Even bluer than the toilet tiles
  • (a birthday on the train)
  • (half an hour on foot)
  • from Physiology and private history. July 3rd, 2004. I'll now make a couple of
  • Doctors, lectors and actors, young widows
  • The women's locker room at Planet Fitness
  • Sarah on the barricades. The year nineteen-oh-five
  • Of all those lying in the earth, foreheads tossed back
  • The desire to be a rib. Me and myself, we're uneasy, like a lady with her pitbull
  • ......
  • Bus stop : Israelitischer Friedhof
  • from O. Zoo, woman, monkey
  • Part II. Displaced person. from The lyric, the voice. And a vo-vo-voice arose
  • In the festive sky, impassivable, tinfurled
  • Saturday and Sunday burn like stars
  • In every little park, in every little square
  • from Kireevsky
  • from the cycle Young maids sing. Translator's note by Eugene Ostashevsky
  • Mom-pop didn't know hime
  • Mama, what janitor
  • A train is riding over Russia
  • Ordnance was weeping in the open
  • The A went past, Tram-Traum
  • Well I don't sing Kupitye papirosn
  • from the cycle Kireevsky. The light swells and pulses at the garden gate
  • In the village, in the field, in the forest
  • A deer, a deer stood in that place
  • The last songs are assembling
  • from the cycle Underground Pathephone. My dear, my little Liberty
  • There he lies in his new bed, a band of paper round his head
  • Don't wait for us, my darling
  • Don't strain your sight
  • Four operas. Carmen
  • Aida
  • Fidelio
  • Iphigenia in Aulis
  • Essays. In unheard-of-simplicity
  • Displaced person
  • Part III. Spolia. Spolia
  • War of the beasts and the animals. Translator's note by Sasha Dugdale
  • War of the beasts and the animals
  • Essays. Today before yesterday (excerpt)
  • After the dead water
  • Intending to live
  • At the door of a notnew age
  • Part IV. Over venerable graves. Essays. The maximum cost of living (Marina Tsvetaeva)
  • Conversations in the realm of the dead (Lyubov Shaporina)
  • What Alice found there (Alisa Poret)
  • The last hero (Susan Sontag)
  • From that side : notes on Sebald
  • Over venerable graves.