Composing community in late medieval music : self-reference, pedagogy, and practice /
An exploration of what self-referential compositions reveal about late medieval musical networks, linking choirboys to canons and performers to theorists.
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| Natura: | Licensed eBooks |
| Lingua: | inglese |
| Pubblicazione: |
Cambridge, United Kingdom ; New York, NY, USA :
Cambridge University Press,
2019.
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| Serie: | Music in context.
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| Accesso online: | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2091082 |
Sommario:
- Cover; Half-title page; Series page; Title page; Copyright page; Dedication; Contents; List of Examples; List of Figures; List of Tables; Acknowledgments; Note to the Reader; Introduction; Part I Music about Musicians; 1 From Paintings about Painters to Music about Musicians; 2 Miserere supplicanti Du Fay: Building Community through Musical Devotions at Cambrai Cathedral; 3 Ora pro nobis: Forms of Self-Reference in Musical Prayers for Musicians; 4 Plorer, gemir, crier: Musical Mourning and the Composer; Part II Music about Music; 5 Paintings about Painting and Music about Music-Making; 6 Simple Lessons? Music Theory as Emblem of Composition7 Constructing the Composer: Symbolic Use of the Hexachord in Compositions c. 1500; 8 Conclusion; Sources and Sigla; Appendix A Music about Music and Musicians; Appendix B Sixteenth-Century Masses Based on the Hexachord; Bibliography; Index