Iranian cosmopolitanism : a cinematic history /
From popular and 'New Wave' pre-revolutionary films of Fereydoon Goleh and Abbas Kiarostami to post-revolutionary films of Mohsen Makhmalbaf, the Iranian cinema has produced a range of films and directors that have garnered international fame and earned a global following. Golbarg Rekabtal...
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|---|---|
| 格式: | Licensed eBooks |
| 語言: | 英语 |
| 出版: |
Cambridge :
Cambridge University Press,
2018.
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| 叢編: | The global Middle East ;
3 |
| 在線閱讀: | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1875026 |
書本目錄:
- Cover
- Half-title
- Series information
- Title page
- Copyright information
- Dedication
- Contents
- Notes on Transliteration, Citation, Translation and Dates
- Figures
- Acknowledgements
- Introduction
- 1 Cinematic Imaginaries and Cosmopolitanism in the Early Twentieth Century
- 1.1 Cinematic Heterotopia in Early-Twentieth-Century Tehran
- 1.2 Francotopic City: Early Cinema Culture and Urbanisation
- 1.3 Early Cinema and National Consciousness in Iran
- 1.4 Competing Reactions to Early Cinema
- 2 Cinematic Education, Cinematic Sovereignty: The Creation of a Cosmo-National Cinema
- 2.1 Screen Education during the Reign of Reza Pahlavi
- 2.2 Regulating Cinema Programs and Cinema Spaces
- 2.3 Cosmo-National Cinema: The Emergence of a Persian-Language Film Industry
- 3 Industrial Professionalisation: The Emergence of a "National" Commercial Cinema
- 3.1 Cinema and Propaganda in Post-War Iran
- 3.2 Post-World War II Image Culture and Social Typecasts
- 3.3 Cinema and Westoxication: Reactions to Cinema in a Time of Political Chaos
- 3.4 Professionalisation and the Emergence of a ''National'' Commercial Film Industry
- 3.5 The Shaping of a Cinematic Visionary
- 3.6 The Question of Taxes on National Films
- 4 ''Film-Farsi'': Everyday Constituencies of a Cosmopolitan Popular Cinema
- 4.1 The First Stones: The First Post-World War II Fiction Films and Their Reception
- 4.2 ''Film-Farsi'' or ''Faux'' Persian-Language Films
- 4.3 ''Film-Farsi'': Negotiating Modernity and Modernisation
- 4.3.1 Historical films
- 4.3.2 Rural-Urban Migration Films
- 4.3.3 ''Social-Urban'' films
- 4.4 The Global in Local Persian-Language Films
- 4.5 Commercial Co-Productions
- 5 Cinematic Revolution: Cosmopolitan Alter-Cinema of Pre-Revolutionary Iran
- 5.1 The 1960s: Cinema or the ''Locus of Corruption'' (kānūn-i fisād).
- 5.2 On a Path toward Cinematic Redemption
- 5.3 Alter-Cinema: The Horizon of an Alternative Cinematic Imagination
- 5.4 The Branching of the Alternative Cinema: Azad Cinema
- 5.5 Film Festivals and the Staging of an Alternative Vernacular-Cosmopolitan Cinema
- 5.6 Revolution Onscreen: A Cinematic Revolution before the Political Revolution
- Conclusion
- Index.