Iranian cosmopolitanism : a cinematic history /

From popular and 'New Wave' pre-revolutionary films of Fereydoon Goleh and Abbas Kiarostami to post-revolutionary films of Mohsen Makhmalbaf, the Iranian cinema has produced a range of films and directors that have garnered international fame and earned a global following. Golbarg Rekabtal...

وصف كامل

التفاصيل البيبلوغرافية
المؤلف الرئيسي: Rekabtalaei, Golbarg, 1983- (مؤلف)
التنسيق: Licensed eBooks
اللغة:الإنجليزية
منشور في: Cambridge : Cambridge University Press, 2018.
سلاسل:The global Middle East ; 3
الوصول للمادة أونلاين:https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1875026
جدول المحتويات:
  • Cover
  • Half-title
  • Series information
  • Title page
  • Copyright information
  • Dedication
  • Contents
  • Notes on Transliteration, Citation, Translation and Dates
  • Figures
  • Acknowledgements
  • Introduction
  • 1 Cinematic Imaginaries and Cosmopolitanism in the Early Twentieth Century
  • 1.1 Cinematic Heterotopia in Early-Twentieth-Century Tehran
  • 1.2 Francotopic City: Early Cinema Culture and Urbanisation
  • 1.3 Early Cinema and National Consciousness in Iran
  • 1.4 Competing Reactions to Early Cinema
  • 2 Cinematic Education, Cinematic Sovereignty: The Creation of a Cosmo-National Cinema
  • 2.1 Screen Education during the Reign of Reza Pahlavi
  • 2.2 Regulating Cinema Programs and Cinema Spaces
  • 2.3 Cosmo-National Cinema: The Emergence of a Persian-Language Film Industry
  • 3 Industrial Professionalisation: The Emergence of a "National" Commercial Cinema
  • 3.1 Cinema and Propaganda in Post-War Iran
  • 3.2 Post-World War II Image Culture and Social Typecasts
  • 3.3 Cinema and Westoxication: Reactions to Cinema in a Time of Political Chaos
  • 3.4 Professionalisation and the Emergence of a ''National'' Commercial Film Industry
  • 3.5 The Shaping of a Cinematic Visionary
  • 3.6 The Question of Taxes on National Films
  • 4 ''Film-Farsi'': Everyday Constituencies of a Cosmopolitan Popular Cinema
  • 4.1 The First Stones: The First Post-World War II Fiction Films and Their Reception
  • 4.2 ''Film-Farsi'' or ''Faux'' Persian-Language Films
  • 4.3 ''Film-Farsi'': Negotiating Modernity and Modernisation
  • 4.3.1 Historical films
  • 4.3.2 Rural-Urban Migration Films
  • 4.3.3 ''Social-Urban'' films
  • 4.4 The Global in Local Persian-Language Films
  • 4.5 Commercial Co-Productions
  • 5 Cinematic Revolution: Cosmopolitan Alter-Cinema of Pre-Revolutionary Iran
  • 5.1 The 1960s: Cinema or the ''Locus of Corruption'' (kānūn-i fisād).
  • 5.2 On a Path toward Cinematic Redemption
  • 5.3 Alter-Cinema: The Horizon of an Alternative Cinematic Imagination
  • 5.4 The Branching of the Alternative Cinema: Azad Cinema
  • 5.5 Film Festivals and the Staging of an Alternative Vernacular-Cosmopolitan Cinema
  • 5.6 Revolution Onscreen: A Cinematic Revolution before the Political Revolution
  • Conclusion
  • Index.

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