Art After Appropriation : Essays on Art in the 1990s.

Beginning with the first comprehensive account of the discourse of appropriation that dominated the art world in the late 1970s and 1980s, Art After Appropriation suggests a matrix of inflections and refusals around the culture of taking or citation, each chapter loosely correlated with one year of...

وصف كامل

التفاصيل البيبلوغرافية
المؤلف الرئيسي: Welchman, John C.
مؤلف مشترك: ProQuest (Firm)
التنسيق: Licensed eBooks
اللغة:الإنجليزية
منشور في: New York : Routledge, 2003.
Florence Taylor and Francis, 2001.
الطبعة:1st ed.
الوصول للمادة أونلاين:https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=360596
جدول المحتويات:
  • Cover
  • Art After Appropriation
  • Title Page
  • Copyright Page
  • Table of Contents
  • Introduction Global Nets: Appropriation and Postmodernity
  • Chapter 1 Photographies, Counter-revolution and Second Worlds: Allegories by Design, 1989
  • Chapter 2 Photographies, Counter-revolution and Second Worlds: Releases and Counter-a ppropriations, 1989
  • Chapter 3 New Bodies: The Medical Venus and the Techno-grotesque, 1993-1994
  • Chapter 4 Faces, Boxes and The Moves: On Travell ing Video Cultures, 1993
  • Chapter 5 Public Art and the Spectacle of Money: On Art Rebate/ Arte Reembolso, 1993
  • Chapter 6 'Peeping Over the Wall': Narcissism in the 1990s, 1995
  • Chapter 7 Parametrology: From the White Cube to the Rainbow Net, 1996
  • Chapter 8 Culture/Cuts: Post-appropriation in the Work of Cody Hyun Choi, 1998
  • Chapter 9 Some Horizons of Medialisation: The Rainbow Net, 1999
  • Index.