Semiotics of the Media : State of the Art, Projects, and Perspectives.
No detailed description available for "Semiotics of the Media".
| Hlavní autor: | |
|---|---|
| Médium: | Licensed eBooks |
| Jazyk: | angličtina |
| Vydáno: |
Berlin/Boston :
De Gruyter, Inc.,
2016.
|
| Edice: | Approaches to Semiotics AS Ser.
|
| On-line přístup: | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1818354 |
Obsah:
- Intro
- Contents
- Introduction
- Part I: Semiotic foundations of the media
- Media and self-reference: The forgotten initial state
- Media between Balnibarbi and Plato's Cave
- The multimediation of the lifeworld
- The sign as medium, the medium relation as the foundation of the sign
- Semiosis of the mass media: Modeling a complex process
- The media contract
- Part II: Pictorial and graphic semiotics
- Semiotics and ethics: The image of semiotics and semiotics of the image
- The prephotographic, the photographic, and the postphotographic image
- Can pictures lie?
- On the semiotics of the image and the computer image
- Pictorial metaphor in commercial advertising
- Representation and legitimacy: A semiotic approach to the logo
- Indexical/iconic tensions: The semiotics of the postage stamp
- Combining the information of maps and other media while hiking
- Part III: Film, acting, and intermediality in the movies
- The delay of the cinema age
- The dialectic of the sign or journeys to Cape Fear
- Natural born killers: Rhythms of the filmic image and styles of violence
- "How did you find us?"
- "We read the script!": A special case of self-reference in the movies
- Words created in their own image
- Discursive stupidity: Abduction and comic in "Monty Python's Flying Circus"
- From Peirce to Freud
- The semiotics of eating and orality in the movies
- Star images: Questions for semiotic analysis
- Film acting and gender: Method acting and the male tantrum
- On some aspects of intermedial film transfer
- Media shift and intertextual reference
- Death and rebirth of the author: On a specific case of an intermedial chiasmus between literature and film
- Part IV: Television, video, and radio
- Television: The semiotic phenomenology of communication and the image.
- Where is the subject in the macromedia? The question of zapping
- The surrogate audience: Ostension of spectator response in televised shows
- Liquid images: A semiotic analysis of on-air promotion and TV design of TV stations
- Foreshadowing virtual reality in narrative and film
- TV is dead, video is born: Dialogue on new intermedia communication
- Audience participation games: Consideration for parties other than the actual participant
- Part V: Computers, electronic networks, hypertext, and cyberspace
- Objects and the world metaphor: A semiotic engineering approach
- Semiotics of computer media in architecture
- "Electronic communities" as social worlds: Toward a sociosemiotic analysis of computer mediated interpersonal communication
- The cold warmth of communication in computer networks
- Semiosis at computer media
- Hypertextuality and multimedia literature
- Linguistic orientation in computational space
- Principles of spatialization in text and hypertext
- Part VI: Time, memory, media, and the semiotics of the museum
- The medium is the memory: Ars memoriae in its age of technical reproducibility
- The role of memory in the contemporary acceleration of cultural proliferation
- Listening to the virtual past
- The museum as a political media: A semiological assault
- The museum as semiotic frame: "Degenerate art" in the thirties and the nineties
- Western heritage and its autres: Cowboys and Indians, facts, and fictions
- Part VII: Aesthetic aspects of the media
- Innovation, gainful learning, and habits in the aesthetics of media
- Deep structure and design configurations in paintings
- Architecture as a mass medium?
- Poems on the bus: Some practical aspects of the reception of poetry in the mass media
- The form of the media: The intermediality of visual poetry
- Poetic aspects of a multimedia text.
- Graphic notation and musical graphics: The nonnotational sign systems in new music and its multimedial, intermedial, extended-medial, and mixed-medial character
- Part VIII: Sociosemiotics and today's myths in the media
- Divination as a mass media event
- Media, death, and democracy
- Myth of the Occident and its manifestations in the Chinese media
- Media coverage of the unreasonable in the land of hyperreason
- The media and logic of concrete action in the "housekeeping" press
- The desire of "crises": An Occidental way of existing
- Invitation to travel: The window-shop relationship in the communication of fashion
- Nonverbal signs in an intercultural business negotiation
- Part IX: Appendix
- Index of names
- Index of subjects.