Hieroglyph, emblem, and Renaissance pictography /
Robin Raybould's Hieroglyph, Emblem and Renaissance Pictography is the first English translation of Ludwig Volkmann's Bilderschriften der Renaissance , the classic text which promoted the symbol as a defining cultural and literary characteristic of early modern Europe. Volkmann enumerates...
| Váldodahkki: | |
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| Eará dahkkit: | |
| Materiálatiipa: | Licensed eBooks |
| Giella: | eaŋgalasgiella duiskkagiella |
| Almmustuhtton: |
Leiden ; Boston :
Brill,
2018.
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| Ráidu: | Brill's studies in intellectual history,
[Volume 274] Brill's studies on art, art history, and intellectual history ; [Volume 28] |
| Liŋkkat: | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1914535 |
Sisdoallologahallan:
- Intro; Contents; Translator's Preface; List of Illustrations; Author's Introduction; Chapter 1 The Hieroglyphics of the Italian Humanists; Excursus 1: On the Images in the Gran Chiostro of San Giustina and those in the Hypnerotomachia Poliphili; Chapter 2 Emblematics and Its Derivatives: Imprese and Devices; Excursus 2: On the Origin of Alciato's Emblemata; Excursus 3: On Hoes; Chapter 3 Hieroglyphics North of the Alps; Excursus 4: On the Origin of Aldus' Printers Mark and the Motto festina lente; Excursus 5: On the Symbola of Pythagoras and Alciato's Emblem "Do not sit on a bushel."
- Excursus 6: Philosophia comite regredimurChapter 4 Resonances from the Seventeenth and Eighteenth Centuries; Appendix: Hieroglyphs and Emblems in Printers and Publishers Marks (Signeten); Bibliography; Index of Names; Index of Hieroglyphs, Emblems and Devices