Shakespeare and the energies of drama /
Shakespeare's texts are seen by the poet and critic Michael Goldman as designs for theatrical experience-the complex emotional, physical, and intellectual transaction between actor and audience that brings alive Shakespeare's imagination and makes it immediate to our own. Mr. Goldman'...
| Kaituhi matua: | |
|---|---|
| Hōputu: | Licensed eBooks |
| Reo: | Ingarihi |
| I whakaputaina: |
Princeton, New Jersey :
Princeton University Press,
1972.
|
| Rangatū: | Princeton legacy library.
|
| Urunga tuihono: | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=947114 |
Rārangi ihirangi:
- Frontmatter
- Acknowledgments
- Contents
- I. Introduction: Shakespeare's Bodies
- II. The Unsounded Self
- III. Romeo and Juliet. The Meaning of a Theatrical Experience
- IV. Falstaif Asleep
- V. Henry V. The Strain of Rule
- VI. Hamlet and Our Problems
- VII. The Worst of King Lear
- VIII. Coriolanus and the Crowd
- IX. The Winters Tale and The Tempest
- Appendices
- Index