Shakespeare and the energies of drama /

Shakespeare's texts are seen by the poet and critic Michael Goldman as designs for theatrical experience-the complex emotional, physical, and intellectual transaction between actor and audience that brings alive Shakespeare's imagination and makes it immediate to our own. Mr. Goldman'...

Szczegółowa specyfikacja

Opis bibliograficzny
1. autor: Goldman, Michael, 1936- (Autor)
Format: Licensed eBooks
Język:angielski
Wydane: Princeton, New Jersey : Princeton University Press, 1972.
Seria:Princeton legacy library.
Dostęp online:https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=947114
Spis treści:
  • Frontmatter
  • Acknowledgments
  • Contents
  • I. Introduction: Shakespeare's Bodies
  • II. The Unsounded Self
  • III. Romeo and Juliet. The Meaning of a Theatrical Experience
  • IV. Falstaif Asleep
  • V. Henry V. The Strain of Rule
  • VI. Hamlet and Our Problems
  • VII. The Worst of King Lear
  • VIII. Coriolanus and the Crowd
  • IX. The Winters Tale and The Tempest
  • Appendices
  • Index