Moving Imagination : Explorations of Gesture and Inner Movement /
To know anything in space (for instance, a line), I must draw it, and thus synthetically bring into being a determinate combination of the given manifold, so that the unity of this act is at the same time the unity of consciousness (as in the concept of a line); and it is through this unity of consc...
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| Format: | Licensed eBooks |
| Language: | English |
| Published: |
Amsterdam :
John Benjamins Publishing Company,
[2013]
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| Series: | Advances in consciousness research ;
v. 89. |
| Online Access: | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=578688 |
Table of Contents:
- Prelim pages
- Table of contents
- Moving imagination
- Bodily resonance
- The moving body
- Movement, gesture, and meaning
- Achieved spontaneity and spectator's performative experience
- The motor dimension of the actor-spectator relationship
- The digital body in contemporary American cinema
- Embodiment
- Is gesture knowledge? A philosophical approach to the epistemology of musical gestures
- Sound in film as an inner movement
- Body English
- The somatic in kinetic sculpture
- Edgar Degas
- Time lines
- Styles of observation and embodiment
- Cy Twombly
- Pre-motor and motor activities in early medieval handwriting
- The neurophenomenology of gesture in the art of Henri Michaux
- Moving without moving
- The "I cannot, but it can" of aesthetic perception
- Name index
- Subject index