Reservation reelism : redfacing, visual sovereignty, and representations of Native Americans in film /
In this deeply engaging account Michelle H. Raheja offers the first book-length study of the Indigenous actors, directors, and spectators who helped shape Hollywood's representation of Indigenous peoples. Since the era of silent films, Hollywood movies and visual culture generally have provided...
| Үндсэн зохиолч: | |
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| Формат: | Licensed eBooks |
| Хэл сонгох: | англи |
| Хэвлэсэн: |
Lincoln :
University of Nebraska Press,
©2010.
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| Цуврал: | Book collections on Project MUSE.
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| Онлайн хандалт: | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=354605 |
Агуулга:
- Toward a genealogy of Indigenous film theory : reading Hollywood Indians
- Ideologies of (in)visibility : redfacing, gender, and moving images
- Tears and trash : economies of redfacing and the ghostly Indian
- Prophesizing on the virtual reservation : Imprint and It starts with a whisper
- Visual sovereignty, Indigenous revisions of ethnography, and Atanarjuat (The fast runner)
- Epilogue.