Schoenberg's musical imagination /
No composer was more responsible for changes in the landscape of twentieth century music than Arnold Schoenberg (1874-1951), and no other composer's music inspired a commensurate quantity and quality of technical description. Yet there is still little understanding of the correlations between S...
| المؤلف الرئيسي: | |
|---|---|
| التنسيق: | Licensed eBooks |
| اللغة: | الإنجليزية |
| منشور في: |
Cambridge ; New York :
Cambridge University Press,
©2007.
|
| سلاسل: | Music in the twentieth century.
|
| الوصول للمادة أونلاين: | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=206565 |
جدول المحتويات:
- A passing of worlds: Gurrelieder as Schoenberg's reluctant farewell to the nineteenth century
- Dialectical opposition in Schoenberg's music and thought
- Dramatic conflict in Pelleas und Melisande
- Motive and memory in Schoenberg's First string quartet
- Uncanny expressions of time in the music of Arnold Schoenberg
- The tone row as the source of dramatic conflict in Moses und Aron
- The String trio : metaleptic Schoenberg.