Continental crosscurrents : British criticism and European art 1810-1910 /
"Continental Crosscurrents" is a series of case studies reflecting British attitudes to continental art during the nineteenth and the early twentieth centuries. It stresses the way in which the British went to the continent in their search for origins or their pursuit of sources of purity...
| Үндсэн зохиолч: | |
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| Формат: | Licensed eBooks |
| Хэл сонгох: | англи |
| Хэвлэсэн: |
Oxford ; New York :
Oxford University Press,
2005.
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| Цуврал: | OUP E-Books.
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| Онлайн хандалт: | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=159123 |
Агуулга:
- Intro
- CONTENTS
- ILLUSTRATIONS
- INTRODUCTION
- 1. The English Romantics and Early Italian Art
- 2. The Romanesque Revival in Britain 1800-1840:1
- 3. The Romanesque Revival in Britain 1800-1840:2
- 4. Robert Browning's 'Pictor Ignotus', and Continental 'Christian' Art
- 5. Whoring after Colour: Venetian Painting in England
- 6. Ruskin's Venice and Victor Hugo's Paris
- 7. Alfred Waterhouse's German Romanesque 'Temple of Nature': The Natural History Museum
- 8. The Last Degradation of Art: Gauguin, the British, and French Polynesia
- 9. Byzantinism and British Modernism
- 10. D. H. Lawrence, German Sculpture, and Women in Love
- BIBLIOGRAPHY
- INDEX
- A
- B
- C
- D
- E
- F
- G
- H
- I
- J
- K
- L
- M
- N
- O
- P
- Q
- R
- S
- T
- U
- V
- W
- Y
- Z.