Women make horror : filmmaking, feminism, genre /

Women Filmmakers in Sinophone World Cinema /

Women Filmmakers in Sinophone World Cinema /

Female authorship and the documentary image : theory, practice and aesthetics /

It follows /

Female agency and documentary strategies : subjectivities, identity and activism /

The films of Antoinetta Angelidi /

A History of Horror, 2nd Edition /

ReFocus : the films of Zoya Akhtar /

The films of Claire Denis /

The films of Susan Seidelman /

The films of Susan Seidelman /

Herstories on screen : feminist subversions of frontier myths /

Herstories on screen : feminist subversions of frontier myths /

Herstories on screen : feminist subversions of frontier myths /

Brazilian women's filmmaking : from dictatorship to democracy /

The gendered screen : Canadian women filmmakers /

The films of Roberta Findlay /

Women of vision : histories in feminist film and video /

ReFocus: the films of Kelly Reichardt /

Kathryn Bigelow : interviews /

Agnès Varda between film, photography, and art /

The films of Doris Wishman /

The films of Jocelyne Saab : films, artworks and cultural events for the Arab world /

Jane Campion : authorship and personal cinema /

ReFocus.

ReFocus : the films of Zoya Akhtar /

The cinema of Agnès Varda : resistance and eclecticism /

Lois Weber in early Hollywood /

ReFocus.

Female agency and documentary strategies : subjectivities, identity and activism /

Female authorship and the documentary image : theory, practice and aesthetics /

Indie reframed : women's filmmaking and contemporary American independent cinema /

Subject to reality : women and documentary film /

Sofia Coppola : the politics of visual pleasure /

Women of vision : histories in feminist film and video /

British women amateur filmmakers : national memories and global identities /

Gendering the nation : Canadian women's cinema /

Universal women : filmmaking and institutional change in early Hollywood /

Screens and veils : Maghrebi women's cinema /

Recreational Terror : Women and the Pleasures of Horror Film Viewing.

A History of Horror, 2nd Edition /

Halloween /

Carrie /

Body Gothic : Corporeal Transgression in Contemporary Literature and Horror Film /

Visceral screens : mediation and matter in horror cinema /

New blood : critical approaches to contemporary horror /

Contemporary gothic and horror film : transnational perspectives /

The pulse in cinema : the aesthetics of horror /

Torture porn in the wake of 9/11 : horror, exploitation, and the cinema of sensation /

Black Sunday /

The curse of Frankenstein /

Jordan Peele's Get Out : political horror /

Affective intensities and evolving horror forms : from found footage to virtual reality /

Shivers /

Japanese horror cinema /

Transnationalism and genre hybridity in new British horror cinema /

Dead funny : the humor of American horror /

New Israeli horror : local cinema, global genre /

Trouble every day

Shooting the Family

Filming for the future : the work of Louis van Gasteren /

New blood in contemporary cinema : women directors and the poetics of horror /

The neuro-image : a Deleuzian film-philosophy of digital screen culture /