Unfinished business : screening the Italian Mafia in the new millennium /
Le crime organisé à la ville et à l'écran aux États-Unis, 1929-1951
Edges of noir : extreme filmmaking in the 1960s /
Driven to darkness : Jewish émigré directors and the rise of film noir /
Reluctant Sleuths, True Detectives.
Reluctant sleuths, true detectives
Reluctant sleuths, true detectives /
Siren City : Sound and Source Music in Classic American Noir.
The red and the black : American film noir in the 1950s /
Late Westerns : the persistence of a genre /
Genre and Hollywood /
The pop musical : sweat, tears, and tarnished utopias /
Screening Cuba : film criticism as political performance during the Cold War /
Street with no name : a history of the classic American film noir /
The leading man : Hollywood and the presidential image /
The style of sleaze : the American exploitation film, 1959-1977 /
The battle for the Bs : 1950s Hollywood and the rebirth of low-budget cinema /
Film noir /
Black & white & noir : America's pulp modernism /
I died a million times : gangster noir in midcentury America /
Film noir : hard-boiled modernity and the cultures of globalization /
Darkly perfect world : colonial adventure, postmodernism, and American noir /
Hong Kong neo-noir /
Kiss the blood off my hands : on classic film noir /
Noir affect /
The philosophy of neo-noir /
Noir anxiety /
The philosophy of film noir /
More than night : film noir in its contexts /
The Philosophy of TV Noir.
Creatures of Darkness : Raymond Chandler, Detective Fiction, and Film Noir.