Criminalization/assimilation : Chinese/Americans and Chinatowns in classical Hollywood film /
Irish stereotype in American cinema : stories of violence /
Reservation reelism : redfacing, visual sovereignty, and representations of Native Americans in film /
Lady Chatterley's Legacy in the Movies : Sex, Brains and Body Guys.
Lady Chatterley's legacy in the movies : sex, brains and body guys /
Our gang : a racial history of The little rascals /
Arab Americans in film : from Hollywood and Egyptian stereotypes to self-representation /
Screening the east : Heimat, memory and nostalgia in German film since 1989 /
Cinema civil rights : regulation, repression, and race in the classical Hollywood era /
Reservation Reelism : Redfacing, Visual Sovereignty, and Representations of Native Americans in Film.
Native Americans on film : conversations, teaching, and theory /
White Gypsies : race and stardom in Spanish musicals /
First person Jewish /
The movies of racial childhoods : screening self-sovereignty in Asian/America /
Turkish German cinema in the new millennium : sites, sounds, and screens /
White balance : how Hollywood shaped colorblind ideology and undermined civil rights /
Irish and African American cinema : identifying others and performing identities, 1980-2000 /
Stealing the show : African American performers and audiences in 1930s Hollywood /
The afterlives of Kathleen Collins : a Black woman filmmaker's search for new life /
Soundies and the changing image of Black Americans on screen : one dime at a time /
A piece of the action : race and labor in post-civil rights Hollywood /
From street to screen : Charles Burnett's Killer of sheep /
Framing Blackness : the African American image in film /
Oscar Micheaux & his circle : African-American filmmaking and race cinema of the silent era /
American racist : the life and films of Thomas Dixon /
Hollywood's African American films : the transition to sound /
Black city cinema : African American urban experiences in film /
Shaping the future of African American film : color-coded economics and the story behind the numbers /
Black male frames : African Americans in a century of Hollywood cinema, 1903-2003 /
The Poitier effect : racial melodrama and fantasies of reconciliation /
The politics and poetics of black film : Nothing but a man /
Race and the revolutionary impulse in The Spook Who Sat by the Door /
Black cultural production after civil rights /
Censoring racial ridicule : Irish, Jewish, and African American struggles over race and representation, 1890-1930 /
Smooth operating and other social acts /