Washed in Blood : Male Sacrifice, Trauma, and the Cinema.
Unhomely Cinema : Home and Place in Global Cinema.
Cinema and sensation : French film and the art of transgression /
Italian post-neorealist cinema /
French queer cinema /
Masculine interests : homoerotics in Hollywood films /
Palestinian cinema : landscape, trauma and memory /
Screen borders : From Calais to ‹i›cinéma-monde‹/i› /
Transgression in Anglo-American cinema : gender, sex, and the deviant body /
Bad women : regulating sexuality in early American cinema /
Gender meets genre in postwar cinemas /
The eyes have it : cinema and the reality effect /
Journalism in the movies /
The phantom Holocaust : Soviet cinema and Jewish catastrophe /
Brutal vision : the neorealist body in postwar Italian cinema /
Hollywood's Indian : the Portrayal of the Native American in Film.
The girls in the back room : looking at the lesbian bar /
Cinematic identity : anatomy of a problem film /
The Sacred and the Cinema : Reconfiguring the "Genuinely" Religious Film /
Cartographic cinema /
Action, action, action : the early cinema of Raoul Walsh /
Action, Action, Action : The Early Cinema of Raoul Walsh.
Film hieroglyphs : ruptures in classical cinema /
Identity papers : contested nationhood in twentieth-century France /
The self-made map : cartographic writing in early modern France /
The Anthem handbook of screen theory /
An errant eye : poetry and topography in early modern France /