To make a poet Black /
Masks outrageous and austere : culture, psyche, and persona in modern women poets /
Revolutionary poetics : the rhetoric of the Black Arts Movement /
The blues muse : race, gender, and musical celebrity in American poetry /
A history of African American poetry /
Ostinato vamps : poems /
Otherhood : poems /
Timber and prayer : the Indian Pond poems /
Red clay weather /
Black bone : 25 years of the Affrilachian poets /
The necessary past revising history in contemporary African American poetry /
The works of James M. Whitfield : America and other writings by a nineteenth-century African American poet /
Heroism in the new Black poetry : introductions & interviews /
Open interval /
The government of nature /
Fata Morgana : poems /
Black mestiza poems /
The world falls away /
Apocalyptic messianism and contemporary Jewish-American poetry /
Holding patterns : temporary poetics in contemporary poetry /
Elegy /
Epochs of morning light : prose poems /
Modernism the morning after /
Penumbra : poems /
Road Trip.
The imaginary lover /
Door in the Mountain : New and Collected Poems, 1965-2003.
The known world /
A space filled with moving /
The Lame God /
The Tale of the Tribe : Ezra Pound and the Modern Verse Epic.
Why/Why Not.
Syncopations : the stress of innovation in contemporary American poetry /
Brain camp /
Darwin's bards : British and American poetry in the age of evolution /
Sight lines /
Flying out with the wounded /
Geographic personas : self-transformation and performance in the American West /
Paper Monsters : Persona and Literary Culture in Elizabethan England /
The poetics of impersonality : T.S. Eliot and Ezra Pound /
The disenchanted self : representing the subject in the Canterbury tales /
The making of Sir Philip Sidney /
Written work : Langland, labor, and authorship /
The life and undeath of autonomy in American literature /
Another throat : twenty-first-century Black US persona poetry and the archive /
Fabulous monsters : Dracula, Alice, Superman, and other literary friends /
Artificial I's : the self as artwork in Ovid, Kierkegaard, and Thomas Mann.