Bay Lodyans : Haitian Popular Film Culture.
Ana M. López : essays /
Washed in Blood : Male Sacrifice, Trauma, and the Cinema.
Cinema of Discontent : Representations of Japan's High-Speed Growth.
French queer cinema /
Transgression in Anglo-American cinema : gender, sex, and the deviant body /
Palestinian cinema : landscape, trauma and memory /
Masculine interests : homoerotics in Hollywood films /
Homemade men in postwar Austrian cinema : nationhood, genre and masculinity /
Screening nostalgia : populuxe props and technicolor aesthetics in contemporary American film /
Italian neorealist cinema /
The girls in the back room : looking at the lesbian bar /
Cinema and sensation : French film and the art of transgression /
Subjective realist cinema : from expressionism to inception /
Unhomely Cinema : Home and Place in Global Cinema.
Cinematic identity : anatomy of a problem film /
The phantom Holocaust : Soviet cinema and Jewish catastrophe /
Avant-garde to new wave : Czechoslovak cinema, surrealism and the sixties /
Bad women : regulating sexuality in early American cinema /
Cinema of discontent : representations of Japan's high-speed growth /
Cinema, Television and History : New Approaches.
Making history move constructing a historiophoty for the historical film /
Reimagining history in contemporary Spanish media : theater, cinema, television, streaming /
War on the silver screen : shaping America's perception of history /
Postwall German cinema : history, film history, and cinephilia /
El documental cinematográfico y televisivo contemporáneo : Memoria, sujeto y formación de la identidad democrática española /
Filming history from below : microhistorical documentaries /
Trauma, media, art : new perspectives /
Mnemotopie im mexikanischen Film : Orte nationaler Umbrüche in der Filmkultur der Época de Oro.
Film als pädagogisches Setting : Ein Medium als Vermittlungs- und Vergegenwärtigungsinstanz.
Finance and the World Economy in Weimar Cinema /