Reluctant sleuths, true detectives
Reluctant Sleuths, True Detectives.
Haunted by Vertigo : Hitchcock's masterpiece then and now /
Detecting men : masculinity and the Hollywood detective film /
British thrillers, 1950-1979 : 845 films of suspense, mystery, murder and espionage /
Jazz and cocktails : rethinking race and the sound of film noir /
Celluloid chains : slavery in the Americas through film /
Giallo! : genre, modernity, and detection in Italian horror cinema /
Perverse spectators : the practices of film reception /
Criminalization/assimilation : Chinese/Americans and Chinatowns in classical Hollywood film /
Writ on water : the sources and reach of film imagination /
Theorizing film through contemporary art : expanding cinema /
Film history as media archaeology : tracking digital cinema /
Faith and spirituality in masters of world cinema.
Equivocal subjects : between Italy and Africa-- constructions of racial and national identity in the Italian cinema /
Reframing difference : beur and banlieue filmmaking in France /
A history of American crime fiction /
Creatures of Darkness : Raymond Chandler, Detective Fiction, and Film Noir.
Swedish crime fiction : novel, film, television /
Reluctant sleuths, true detectives /
Formelkino : Medienwissenschaftliche Perspektiven auf die Genre-Theorie und den Giallo /
Film noir : hard-boiled modernity and the cultures of globalization /
Darkly perfect world : colonial adventure, postmodernism, and American noir /
Hong Kong neo-noir /
Street with no name : a history of the classic American film noir /
Kiss the blood off my hands : on classic film noir /
Noir affect /
The philosophy of neo-noir /
Noir anxiety /
Driven to darkness : Jewish émigré directors and the rise of film noir /
Black & white & noir : America's pulp modernism /
The philosophy of film noir /
More than night : film noir in its contexts /
The Philosophy of TV Noir.
Film noir /
David Milch /