Music and ultra-modernism in France : a fragile consensus, 1913-1939 /

From music to sound : the emergence of sound in 20th- and 21st-century music /

Contemporary music : theoretical and philosophical perspectives /

Experimental encounters in music and beyond /

Resonances against fascism : modernist and avant-garde sounds from Kurt Weill to Black Lives Matter /

Kinetic cultures : modernism and embodiment on the Belle Époque stage /

Zur Kategorie der Form in neuer Musik

Sublime noise : musical culture and the modernist writer /

The book of music and nature : an anthology of sounds, words, thoughts /

Hearing Luxe Pop : glorification, glamour, and the middlebrow in American popular music /

Source : music of the avant-garde, 1966-1973 /

Source : music of the avant-garde, 1966-1973 /

The whistling blackbird : essays and talks on new music /

Music and its referential systems /

Postmodernity's musical pasts /

Aesthetic technologies of modernity, subjectivity, and nature : opera · orchestra · phonograph · film /

Awangarda : tradition and modernity in postwar Polish music /

The voice as something more : essays toward materiality /

Music and the forms of life /

Microgroove Forays into Other Music /

Aesthetic technologies of modernity, subjectivity, and nature : opera · orchestra · phonograph · film /

The pleasure of modernist music : listening, meaning, intention, ideology /

White musical mythologies : sonic presence in modernism /

The Edinburgh dictionary of modernism /

Shaping words to fit the soul : the southern ritual grounds of Afro-modernism /

Music and ultra-modernism in France : a fragile consensus, 1913-1939 /

Carl Nielsen and the Idea of Modernism.

Carl Nielsen and the Idea of Modernism.

From 1989, or European music and the modernist unconscious /

Sublime noise : musical culture and the modernist writer /

Resonances against fascism : modernist and avant-garde sounds from Kurt Weill to Black Lives Matter /

Awangarda : tradition and modernity in postwar Polish music /

White musical mythologies : sonic presence in modernism /

New York noise : radical Jewish music and the downtown scene /

Cybersonic arts : adventures in American new music /

Rationalizing culture : IRCAM, Boulez, and the institutionalization of the musical avant-garde /

Robert Ashley /

Experimental encounters in music and beyond /

Tomorrow is the question : new directions in experimental music studies /

Christian Wolff /

Lothar Knessl : Vermittler neuer Musik, Autor, Komponist, Kurator.

Microgroove Forays into Other Music /

Transfigured New York : interviews with experimental artists and musicians, 1980-1990 /

Christian Wolff /

Experimentalism otherwise : the New York avant-garde and its limits /

Source : music of the avant-garde, 1966-1973 /

Rationalizing culture : IRCAM, Boulez, and the institutionalization of the musical avant-garde /

Rationalizing culture : IRCAM, Boulez, and the institutionalization of the musical avant-garde /

Source : music of the avant-garde, 1966-1973 /

White musical mythologies : sonic presence in modernism /