Adapting philosophy : Jean Baudrillard and the matrix trilogy /

American cinema of the 1910s : themes and variations /

American cinema, 1890-1909 : themes and variations /

Labors of Fear The Modern Horror Film Goes to Work.

Capture totale : Matrix : mythologie de la cyberculture /

Black city cinema : African American urban experiences in film /

The Blade runner experience : the legacy of a science fiction classic /

American cinema of the 1960s : themes and variations /

Storytelling in world cinemas. contexts /

Der phantastische Film : instabile Narrationen und die Narration der Instabilität /

American cinema of the 1990s : themes and variations /

American cinema of the 2000s : themes and variations /

American cinema of the 1920s : themes and variations /

American cinema of the 1920s : themes and variations /

Art in anime : the creative quest as theme and metaphor /

Genre and performance.

Memento /

American cinema of the 1980s : themes and variations /

Carl Theodor Dreyer's Gertrud : the moving word /

Carl Theodor Dreyer's Gertrud : the moving word /

Simultaneous worlds : global science fiction cinema /

Science fiction film : predicting the impossible in the age of neoliberalism /

Planet Auschwitz : Holocaust representation in science fiction and horror film and television /

The philosophy of science fiction film /

Afrofuturisms : ecology, humanity, and francophone cultural expressions /

Planet Auschwitz : Holocaust representation in science fiction and horror film and television /

Special effects : still in search of wonder /

Hollywood presents Jules Verne : the father of science fiction on screen /

Apocalypse-cinema : 2012 and other ends of the world /

The sound of things to come : an audible history of the science fiction film /

Science fiction cinema : between fantasy and reality /

Hollywood science : movies, science, and the end of the world /

The Blade runner experience : the legacy of a science fiction classic /

The damned /

Selling science fiction cinema : making and marketing a genre /

Ancient Greece and Rome in modern science fiction : amazing antiquity /

Beyond tomorrow : German science fiction and utopian thought in the 20th and 21st centuries /

Children of men /

Cinema as a worldbuilding machine in the digital era : essay on multiverse films and tv series /

The Matrix in theory /

Simultaneous worlds : global science fiction cinema /

Science fiction film : predicting the impossible in the age of neoliberalism /

Planet Auschwitz : Holocaust representation in science fiction and horror film and television /

The philosophy of science fiction film /

Afrofuturisms : ecology, humanity, and francophone cultural expressions /

Planet Auschwitz : Holocaust representation in science fiction and horror film and television /

Special effects : still in search of wonder /

Hollywood presents Jules Verne : the father of science fiction on screen /

Apocalypse-cinema : 2012 and other ends of the world /

The sound of things to come : an audible history of the science fiction film /

Science fiction cinema : between fantasy and reality /

Hollywood science : movies, science, and the end of the world /

The Blade runner experience : the legacy of a science fiction classic /

The damned /

Ancient Greece and Rome in modern science fiction : amazing antiquity /

Beyond tomorrow : German science fiction and utopian thought in the 20th and 21st centuries /

Cinema as a worldbuilding machine in the digital era : essay on multiverse films and tv series /

The Matrix in theory /

Ancient Greece and Rome in modern science fiction : amazing antiquity /

Cityscapes of the future : urban spaces in science fiction /

The Bakhtin Circle today /

The Matrix in theory /

Returning (to) communities : theory, culture and political practice of the communal /

Metaphors of economy /

The Matrix in theory /