I don't sound like nobody : remaking music in 1950s America /

Burma's pop music industry : creators, distributors, censors /

Live from Dar es Salaam : popular music and Tanzania's music economy /

The persistence of sentiment : display and feeling in popular music of the 1970s /

Rethinking American music /

From tejano to tango : Latin American popular music /

Categorizing sound : genre and twentieth-century popular music /

Cries of joy, songs of sorrow : Chinese pop music and its cultural connotations /

Hell of a Hat : the Rise of '90s Ska and Swing /

Funky Nassau : roots, routes, and representation in Bahamian popular music /

Refashioning pop music in Asia : cosmopolitan flows, political tempos, and aesthetic industries /

Banding together : how communities create genres in popular music /

Oye como va! : hybridity and identity in Latino popular music /

Redefining mainstream popular music /

Battle hymns : the power and popularity of music in the Civil War /

Send in the Clones : a Cultural Study of the Tribute Band.

The queer composition of America's sound : gay modernists, American music, and national identity /

A few honest words : the Kentucky roots of popular music /

Popular music genres : an introduction /

Sound, society and the geography of popular music /

Ducktails, Drive-Ins, and Broken Hearts An Unsweetened Look at '50s Music.

Deeper blues : the life, songs, and salvation of Cornbread Harris /

Popular music in the post-digital age : politics, economy, culture and technology /

American popular music and its business. the first four hundred years /

Timbre : paradox, materialism, vibrational aesthetics /

Music in the age of anxiety : American music in the fifties /

Listen to this : Miles Davis and Bitches brew /

The great American songbooks : musical texts, modernism, and the value of popular culture /

California soul : music of African Americans in the West /

How popular musicians learn : a way ahead for music education /

Refashioning pop music in Asia : cosmopolitan flows, political tempos, and aesthetic industries /

Race music : black cultures from bebop to hip-hop /

Frankie and Johnny : race, gender, and the work of African American folklore in 1930s America /

My Guitar Is a Camera.

My Havana : the musical city of Carlos Varela /

British music videos 1966-2016 : genre, authenticity and art /

Energy never dies : Afro-optimism and creativity in Chicago /

The pop musical : sweat, tears, and tarnished utopias /

Songs for Cabo Verde : Norberto Tavares's musical visions for a new republic /

Mediale Interferenzen : Literatur und Popmusik in Japan (1955-2005) /

Blues on stage : the blues entertainment industry in the 1920s /

Musicology of religion : theories, methods, and directions /

Imagination, music, and the emotions : a philosophical study /

Globalizing music education : a framework /

American popular music and its business. the first four hundred years /

Community music therapy /

Timbre : paradox, materialism, vibrational aesthetics /

Music in the age of anxiety : American music in the fifties /

Musical signification : essays in the semiotic theory and analysis of music /

Soviet music and society under Lenin and Stalin : the baton and sickle /

Music theory in Mamluk Cairo : the Ġāyat al-maṭlūb fi 'ilm al-adwār wa-'l-ḍurūb by Ibn Kurr /

Jewish experience in classical music : Shostakovich and Asia /

The art of āvāz and Mohammad Reza Shajarian : foundations and contexts /

Vinyl : the analogue record in the digital age /

The spectre of sound : music in film and television /

POPULAR IS NOT ENOUGH the political voice of joan baez;a case study in the biographical method.

Language, the singer and the song : the sociolinguistics of folk performance /

Aesthetics and experience in music performance /

Music and the emotions : the philosophical theories /

Music of the first nations : tradition and innovation in native North America /

American popular music and its business. the first four hundred years /